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Following the scientific 'double blind study', I put drawings into the  testing space of photography. A double negative, a bilateral symmetry, a  photogram like effect-- reveal something the drawing was blind to, before it was transformed into a print. The site of drawing is like a lab slide under a microscope, or the forensics of pinned specimens on a wall.  If the procedure is modernist, a search for essence, the results are speculative. Just-the-facts yields to primitive science. The air is dense like chalk dust on a blackboard. An approach to life.

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